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                                                                Street Kings

         It is city policai which kill from thirst of a profit, and kopov which kill from a principle. The second it is better. A detective Volume Ladlou (Kianu Rivz) - the basic fighter with debauch and a dirt, in what to itself not refusing: its{his} chief (Uitaker) all the same can pull out Ladlou from any, even the most sad situation. Therefore Ladlou easy drinks at the wheel, kills everyone whom considers{counts} guilty, says lies in official reports and steals material evidences. When the former partner hands over Ladlou to captain Biggzu from a department of internal investigations, the hero leaves itself and goes to beat to the partner a muzzle. During this moment there are two in masks and shoot this partner. Ladlou, having appeared on a scene of crime, under suspicion, and now the only thing that it{he} wants, it too gets to find murderers. Meanwhile it{him} send in a department on reception of complaints to policemen - work for office rat, instead of for the serious muzhik. Besides captain Biggz (Lori it is magnificent, and for the first time appears in hospital) is driven to it{him;them} with questions. Eventually, Ladlou will find murderers of the partner. The history about struggle will turn out - is not present, is not kind with a harm. When Volume Ladlou asks the chief, whether it is impossible to kill villains, and simply to send them in prison, that answers: " All we villains, Volume ". So it is the story about sacred struggle of a harm against goats.
Script what for has been added (a scripwriter and the director of "Ultraviolet") and debutant Dzhejmi Moss. Founders of film hope, that they managed to see in a new fashion a genre . But " kings of streets " - not absolutely . Here there is no fatal or even the clever woman, all of the woman - a silly woman, sit in cells{cages}, impose bandage on the raw wound or collect things to leave from city. Here is not present beauty of the staff, there is no implied sense, there is no glamour. But blood draws patterns on walls, dead lay in a hill above city, whence such beautiful kind, and firing are furious and almost religious. Having killed the bad person, the hero encloses{lays} it{him} a pistol. To the good deadman the hero puts{folds} hands on a breast. For it{him} it is gestures of one order believers should before the god with the hands combined on a breast, dross should To become before Korners with the weapon in hands.
Someone from spectators on the first display has told after film: " all time seemed to Me, that it is a parody to serious cinema ". It is the truth, and partially it is a problem of translation{transfer}. Film in Russian sounds so as if someone from translators of modern prose was engaged in it{him}. Vigorous, not having any attitude{relation} to a reality a slang, pseudo-colloquial words - for example, the policeman speaks the inspector about the subordinate, that that " stunned Police". But also film concerns to itself not seriously. Pistols and with vodka, Los Angeles - a bottom of the world, from the first staff clearly who from bad Police will appear rather good who from good will turn to a monster who from unpleasant will justify our expectations, - do not stir{prevent}, boys play serious games.